Here you find
some online and offline material regarding granular synthesis, synthesizer,
DSP and Midi:
Theory
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Xenakis, Iannis 1963-1992. "Formalized
music: Thought and mathematics in composition." Revised Edition. Stuyvesant
NY: Pendragon Press. ISBN 0-945193-24-6
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Lehrman, Paul und Tim Tully
1993. "Midi for the Professional." Music Sales Corp. ISBN 0825613744;
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Rona, Jeffrey 1994. "The Midi
Companion." Hal Leonard Publishing Corporation. ISBN 0793530776;
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Huber, David Miles 1999. "The
MIDI Manual." Focal Press. ISBN 0240803302;
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Miranda, Eduardo Reck 1998.
"Computer Sound Synthesis for the Electronic Musician." Oxford: Focal
Press. ISBN 0-240-51517-X
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Roads, Curtis 1985. "Granular
synthesis of sound." In: C. Roads, J. Strawn. Foundations of Computer Music.
Cambridge: MIT Press. ISBN 0-262-18114-2
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Pukette, M. 1988. "The Patcher."
In: Proceedings of the 1988 International Computer Music Conference;
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Pukette, M. 1991. "Combining
Events and Signal Processing in the Max Graphical Programming Environment."
In: Compu-ter Music Journal. 15(3): S.68-77
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Roads, Curtis 1978. "Automated
granular synthesis of sound." In: Computer Music Journal: 2(2): S.61-62
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Roads, Curtis 1991. "Asynchronous
granular synthesis." In: G. De Poli, A. Piccialli, C. Roads. Representations
of musical signals. Cambridge: MIT Press. ISBN 0-262-04113-8
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Gabor, D. 1947. "Acoustical
quanta and the theory of hearing." In: Nature 159. London.
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Bastiaans, M.. 1980. "Gabor´s
expansion of a signal into gaussian elementary signals." In: Proceedings
of the IEEE. 68: S.538-539
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Hamman, M. 1991. "Mapping complex
systems using granular synthesis." In: Proceedings of the 1991 International
Computer Music Conference. : S.475-478
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Fujinaga, I. und J. Vantomme
1994. "Genetic algorithms as a method for granular synthesis regulation."
In: Proceedings of the International Computer Music Conference.
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Bowcott, P. 1989. "Cellular
automation as a means of high level compositional control of granular synthesis."
In: Procee-dings of the 1989 International Computer Music Conference. :
S.55-57
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Orton, R., A. Hunt, und R. Kirk
1991. "Genetic algorithms and computer-assisted music composition." In:
Proceedings of the 1991 International Computer Music Conference. : S.416-418
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Vaidhyanathan, Shyamsundar,
Ali Minai und Mara Helmuth 1999. "A System for Granular Processing of sound
using Cellular Automata." In: Proceedings of the 2nd COST G-6 Workshop
on Digital Audio (DAFx99). Hier wird die harmoni-sche Struktur der
Grains durch die Parametersteuerung von IIR-Filtern durch Cellulare Automaten
verändert.
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Bowcott, P. 1990. "High level
control of granular synthesis using the concepts of inheritance and social
interaction." In: Proceedings of the 1990 International Computer
Music Conference. : S.50-52
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Nagashima, Y. 1992. "Real-time
control system for 'pseudo granulation'." In: Proceedings of the
1992 International Computer Music Conference. S.404-405
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Truax, B. 1986. "Real-time granular
synthesis with the DMX-1000." In: Proceedings of the 1986 International
Computer Music Conference. : S.231-235
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Truax, B. 1988. "Real-time granular
synthesis with a digital processing computer." In: Computer Music Journal.
12(2): S.14-26
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Waschka, R. und T. Ferreira.1988.
"Rapid event deployment in a MIDI environment." In: Interface. 17: S.211-222
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Jones, D. L. und T. Parks 1998.
"Generation and combination of grains for music synthesis." In: Computer
Music Journal. 12(2): S.27-34
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Truax, B. 1987. "Real-time granulation
of sampled sound with the DMX-1000." In: Proceedings of the 1987
International Computer Music Conference. : S.138-45
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Truax, B. 1989. "Composing with
real-time granular sound." In: Perspectives of New Music. 28(2): S.121-135
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Truax, B. 1990. "Time-shifting
of sampled sound with a real-time granulation technique." In: Proceedings
of the 1990 International Computer Music Conference. : S.104-107
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Truax, B. 1993. "Time-shifting
and transposition of sampled sound with a real-time granulation technique."
In: Procee-dings of the 1993 International Computer Music Conference. :
S.82-85
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Lippe, C. 1993. "A musical application
of real-time granular sampling using the IRCAM signal processing workstation."
In: Proceedings of the 1993 International Computer Music Conference. :
S.190-193
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Eimert, Herbert und Hans Ulrich
Humpert 1973. "Das Lexikon der elektronischen Musik." Regensburg: Gustav
Bosse Verlag. ISBN 3-7649-2083-1
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Eine kurze informative Zusammenfassung
der Geschichte der elektronischen Musik findet sich auch in: Heuerding,
Elgin 2000. "Die Geschichte der Neuen Musik in Institutionen." .In: KLASSIK
heute. 5/2000: S.40-43
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Truax, B. 1994. "Discovering
Inner Complexity: Time Shifting and Transposition with a Real-time Granulation
Techni-que." In: C. M. J.. Vol. 18, No. 2: S.38-48
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Leon Zadorin, Composing with
Granular Synthesis: http://www.academy.qut.edu.au/music/newmedia/Granular_Synthesis/CompGran.htm
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Frederic J., Harris 1978. "On
the Use of Windows for Harmonic Analysis with the Discrete Fourier Transform."
In: Proceedings of the IEEE. Vol 66, No. 1: S.51-84
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Nur als ein Beispiel zum Thema
IIR-Filterung: Dattorro, Jon 1997. „Effect Desing, Part 1“ In: JAES
Vol.45 No.9: S.660
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Kemper, C. und Jörg Stelkens
1998. "Entwicklung und Konzepte moderner digitaler Synthesizer am Beispiel
des Access Virus." In: Stelkens, Tillmann. KlangForschung ´98, Symposium
zur elektronischen Musik. Saarbrücken: Pfau-Verlag. : S.87-100 ISBN
3-89727-086-2
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Brümmer, Ludger 1998. "Physikalische
Modelle im musikalischen Kontext." In: Stelkens, Tillmann. KlangFor-schung
´98, Symposium zur elektronischen Musik. Saarbrücken: Pfau-Verlag.
: S.83-86 ISBN 3-89727-086-2
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Sunderkötter, Jörg.
2000. "Instrumente mit Zukunft, Permanente Evolution, Entwicklung ohne
Grenzen." In: Keyboards. 1/2000: S.66-67
Applications
Force Feedback
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Gillespie, Brent 1992. "The
Touchback Keyboard." In: The 1992 International Computer Conference. :
S.447-448
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Cadoz, C., L. Lisowski und J-L.
Florens 1990. "Modular Feedback Keyboard." In: Proceedings of the ICMC
Glasgow 1990. : S. 379-382
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Gibet, Sylvie und Marteau Pierre-Francois
1990. "Gestural control of sound synthesis." In: ICMC Glasgow 1990 Proceedings.
: S.387-391
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Cadoz, Claude und Christophe
Ramstein. 1990. "Capture, Representation, and "Composition" of the instrumental
gestu-re.": Proceedings of the ICMC Glasgow 1990. : S.53-56
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Chafe, Chris 1993. "Tactile
Audio Feedback." In: Proceedings of the 1993 International Computer Music
Conference. : S.76-79
MIDI
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Midi.com: http://www.midi.com
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MIDI-Applikationen, die gleichzeitig
auf demselben Computer laufen, können direkt MIDI-Daten über
eine spezielle Hardwareemulation einer MIDI-Schnittstelle, die als Device-Treiber
geladen wird, austauschen. Siehe hier z.B. die Freeware HUBI'S MIDI LOOPBACK
DEVICE V2.5: http://www.hitsquad.com/
Other Resources
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